The Viking World - HIS 243: Find Sources

The Norse Myths presents the infamous Viking gods, from the mighty Asyr, led by Odinn, and the mysterious Vanir, to Thor and the mythological cosmos they inhabit. Passages translated from Old Norse bring this legendary world to life, from the myths of creation to ragnarök, the prophesied end of the world at the hands of Loki's army of monsters and giants, and everything that comes in between: the long and problematic relationship between the gods and the giants, the (mis)adventures of human heroes and heroines, with their family feuds, revenges, marriages, and murders; and the interaction between the gods and mortals. Photographs and drawings show a range of Norse sites, objects, and characters, from Viking ship burials to dragons on runestones. Dr. Carolyne Larrington describes the Norse myths; origins in pre-Christian Scandinavia and Iceland, and their survival in archaeological artifacts and written sources, from Old Norse sagas and poems to the less-approving accounts of medieval Christian writers. She traces their influences into the work of Wagner, William Morris, and J. R. R. Tolkien, and even Game of Thrones in the resurrection of the Fimbulvetr, or Mighty Winter."

Between the eighth and eleventh centuries, the Vikings surged from their Scandinavian homeland to trade and raid along the coasts of Europe. Their influence extended from Newfoundland to Baghdad, their battles were as far-flung as Africa and the Arctic. But were they great seafarers or desperate outcasts, noble heathens or oafish pirates, the last pagans or the first of the modern Europeans? This concise study puts medieval chronicles, Norse sagas and Muslim accounts alongside more recent research into ritual magic, genetic profiling and climatology. It includes biographical sketches of some of the most famous Vikings, from Erik Bloodaxe to Saint Olaf, from King Canute to Leif the Lucky. Extending beyond the traditional 'Viking age' of most books, A Brief History of the Vikings also places sudden Scandinavian population movements in a wider historical context. It presents a balanced appraisal of these infamous sea kings, explaining both their swift expansion and its supposed halt. Supposed because the Vikings never really went away. Instead, posits Clements, they became a part of who we are today.

In the ninth and tenth centuries, the Vikings created a cultural network that spanned four continents: from the Caspian Sea to the North Atlantic and from the Arctic Circle to the Mediterranean. The Viking Age was a period of major change as a result of the Vikings' impact on neighboring areas and the introduction of external influences into Scandinavia. This book explores Viking culture from a global perspective, examining the influences of their varied contacts from around the world and how Viking Scandinavia drew from both Christian Europe and the Islamic world. The book focuses on the core period of the Viking Age, from the late eighth to the early eleventh centuries. New discoveries by archaeologists and metal detectorists highlight the interconnected nature of the cultures of Europe, Byzantium, and the Middle East. Vikings accompanies a major exhibition developed jointly by the British Museum, the National Museum of Denmark, and the Museum for Prehistory and Early History in Berlin. Edited by the exhibition curators Gareth Williams, Peter Pentz, and Matthias Wemhoff and with contributions from a number of key experts, the book, with its strong, flowing narrative and integrated illustrations, draws on a wealth of Viking objects to provide a rich and vivid account of the impact of Viking expansion throughout the world.

This generously illustrated book marks one of the most remarkable achievements in the history of exploration: the Vikings' expansion from the Scandinavian homelands to North America, becoming the first Europeans to set foot in the New World in about A.D. 1000. Replete with 450 color photographs, drawings, maps of Viking sites, artifacts, & landscapes, this book describes a first-millennium culture far more complex & entrepreneurial than the horn-helmeted raiders of the popular imagination. Vikings accompanies an exhibition of the same title, which opens at the Smithsonian's National Museum of Natural History in April 2000 & travels to New York, Los Angeles, Houston, Chicago, & Ottawa.

Medieval Iceland was unique among Western Europe, with no foreign policy, no defense forces, no king, no lords, no peasants and few battles. It should have been a utopia yet its literature is dominated by brutality and killing. The reasons for this, argues Jesse Byock, lie in the underlying structures and cultural codes of the islands' social order. 'Viking Age Iceland' is an engaging, multi-disciplinary work bringing together findings in anthropology and ethnography interwoven with historical fact and masterful insights into the popular Icelandic sagas, this is a brilliant reconstruction of the inner workings of a unique and intriguing society.

Beginning with the dim prehistory of the mythical gods and their descendants, Heimskringla recounts the history of the kings of Norway through the reign of Olaf Haraldsson, who became Norway's patron saint. Once found in most homes and schools and still regarded as a national treasure, Heimskringla influenced the thinking and literary style of Scandinavia over several centuries.